best street magic ever | rural talent

best street magic ever | rural talent

Street magic falls into two genres; traditional street performance and guerrilla magic.

Hieronymus Bosch: The Conjurer, 1475-1480

1 Traditional street performance
2 Guerrilla magic
3 See also
4 References
Traditional street performance
The first definition of street magic refers to a traditional form of magic performance – that of busking. In this, the magician draws an audience from passers by and performs an entire act for them. In exchange, the magician seeks remuneration either by having a receptacle for tips available throughout the act (known in the parlance as a “trickle show”), or by offering a receptacle for tips at the end of the show. The term “passing the hat” comes from the practice of having the hat passed before the final trick is performed, as opposed to “bottling” the audience at the end of the performance.

Street magic most often consists of what has been referred to in the past as “hand” or “pocket” magic, sleight of hand. Whether card magic or magic performed with coins, balls, scarves, or rope, even occasionally mentalism (see notably: Kenny Lightfoot), regardless of the props involved, the ability to draw and hold an audience is cited by contemporary practitioners as a skill of greater importance than the illusions themselves.

The famous Indian Mango Tree is an old and venerated trick as performed by street magicians of the past and while it is demonstrably not of the hand magic variety, it exemplifies the fact that even large stage sized illusions can be presented in the street. In the trick, the magician apparently plants a mango seed, covers it with a cloth, makes mysterious incantations and, removing the cloth from time to time successively shows a tree of various heights, up to two or three feet. The same effect was achieved by the Apaches. Instead of a mango seed, a yucca seed was planted and watered. Covering the seed with a rawhide animal skin, the seed would apparently root, grow and finally flower within the span of but a few minutes.

Anthropologists chronicle this form of street magic from approximately 3,000 years ago – and there are records of such performers across the continents,[citation needed] notably Europe, Asia/South Asia and the Middle East. While it is a very old performing style, its history is not particularly well documented in print. In his diary, Samuel Pepys mentions seeing magicians performing in this fashion and one can see street magicians in depictions by Hieronymous Bosch, William Hogarth, and Pieter Brueghel. Book XIII of Reginald Scot’s Discoverie of Witchcraft (1584) describes magic tricks of the type performed by buskers in the 16th century.

Christian Farla performs street magic on Dutch Television
New York based artist and magician Jeff Sheridan is regarded as one of the pre-eminent U.S. street magicians to emerge from the surge in street performance artistry which began in the late ’60s. He authored the 1977 book, Street Magic, taught Jeff McBride and allegedly was one of the performers who inspired and taught the young David Blaine after Blaine saw Sheridan perform in Central Park.

More recently, other performers have garnered accolades from the magic community for their contributions to the art. Jim Cellini (a.k.a. Richard Sullivan) has been a full-time street performer since the 1970s and has published a book (Cellini: The Royal Touch) and DVDs (The Art of Street Performing, volumes 1 – 3) on the subject. Gazzo Macee (a.k.a. Gary Osborne) has been a full-time street performer since the 1980s and has published a booklet (“The Art of Krowd Keeping” written for Gazzo by Danny Hustle and Jim Wells)[1] and DVD (Street Cups) on the subject. Eric Evans has been a full-time professional since the 1990s and co-wrote — along with Nowlin Craver — a book on the subject (The Secret Art of Magic). —source wiki



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